OMG this rulez.
"Reuben Margolin, a Bay Area visionary and longtime maker, creates totally singular techno-kinetic wave sculptures. Using everything from wood to cardboard to found and salvaged objects, Reubens artwork is diverse, with sculptures ranging from tiny to looming, motorized to hand-cranked. Focusing on natural elements like a discrete water droplet or a powerful ocean eddy, his work is elegant and hypnotic. Also, learn how ocean waves can power our future. Learn more about Reuben at http://www.reubenmargolin.com"
Showing posts with label kinesthetic art. Show all posts
Showing posts with label kinesthetic art. Show all posts
Apr 1, 2009
Jan 28, 2009
MARK GONZALES + COCONUT RECORDS
This is an older video, but it's one of my favorites. Can't go wrong with Mark Gonzales riding a skateboard anytime - much less a sorta longboard in an art museum dressed in a fencers uniform. ''I wanted to appear like a dancer but not too feminine,'' he said in a NYTimes article. ''The fencing uniform shows your body type but also means business.''
Though this is a music video for Jason Schwartzmans band Coconut Records (which has just released a new record called Davy, that I think is quite good) the footage is from Cheryl Dunn's film "Back World for Words" - which I would kill to see.
The next best thing however is this spectators vantage point that provides a little more connection with the performance.
I think this is a really groundbreaking 'piece' if it can be called that. I think architects, city planners, and curators could all benefit from thinking about this concept of the act of skateboarding (or other public sports that require equal parts cojones and finesse) as art. Not only the act, but the obstacle can hold more potential energy in their aesthetic than a Pollack. Bottom line: I'd love to see more integration of recreation into the cityscapes.
Though this is a music video for Jason Schwartzmans band Coconut Records (which has just released a new record called Davy, that I think is quite good) the footage is from Cheryl Dunn's film "Back World for Words" - which I would kill to see.
The next best thing however is this spectators vantage point that provides a little more connection with the performance.
I think this is a really groundbreaking 'piece' if it can be called that. I think architects, city planners, and curators could all benefit from thinking about this concept of the act of skateboarding (or other public sports that require equal parts cojones and finesse) as art. Not only the act, but the obstacle can hold more potential energy in their aesthetic than a Pollack. Bottom line: I'd love to see more integration of recreation into the cityscapes.
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